Wonder Woman 1984 review: Gal Gadot back for wild, neon-injected thrill ride

Surprise Lady returns for her ’80s journey.


Clay Enos/Warner Bros.

Greater than a yr after Surprise Lady 1984’s authentic launch date and a number of pandemic-related delays later, the blockbuster’s lastly right here. And the delays have not damage the sequel to 2017’s Surprise Lady in any respect. Star Gal Gadot and director Patty Jenkins‘ second solo DC Prolonged Universe film is a pleasure.

After a flashback on our hero’s house island establishes the film’s central theme by means of a spectacular opening sequence, we leap ahead a long time to search out Diana (Gadot) stopping crime in probably the most ’80s location possible: a shopping center. This units us up properly for the neon-tinged Chilly Struggle-era journey forward.

Although practically 70 years have handed for the reason that occasions of the primary film, immortal demigod Diana hasn’t moved on from the lack of Steve Trevor (Chris Pine). He was the primary man she’d ever seen, and he whisked her off to a lifetime of pleasure and superheroics, so I suppose it is comprehensible.

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Barbara Minerva takes a trendy flip as her character evolves.


Clay Enos/Warner Bros.

Within the midst of this loneliness, she befriends fellow museum employee Barbara Minerva (Kristen Wiig). She’s the type of socially awkward character seen in numerous ’80s films, an individual others ignore or neglect. Wiig places her Bridesmaids-honed comedic chops to good use because the seemingly powerless Barbara, making her completely endearing regardless of occasional bumbling, and supplies a pleasant distinction to Gadot’s extra stoic Diana. 

Minerva’s villainy performs off that relationship, and he or she turns into extra intense (and cooler wanting) because the film progresses. She loses a lot of her allure as she goes dangerous, nonetheless. 

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Max Lord is a person of favor.


Clay Enos/Warner Bros. Footage

Major villain Max Lord (The Mandalorian‘s Pedro Pascal) suits one other acquainted ’80s mould — the top of a failing enterprise whose slick TV infomercials lure buyers right into a pyramid scheme. Determined for true success, he desires to trace down an historical stone that may grant needs. 

Pascal infuses a number of the allure we noticed in his Sport of Thrones character Oberyn Martell into the greasy Lord, making him a nuanced baddy with sharp retro fits. We by no means lose sight of his emotional turmoil, even when there are additionally some distracting logical leaps relating to the powers he beneficial properties (although these leaps are finally excusable, since they’re magic).

Diana quickly finds herself coping with the return of Steve Trevor, organising a pleasant flip of the dynamic that they had within the first film. She is not the identical wide-eyed fish out of water she was the final time they met — by 1984 she’s in tune with the trendy world, whereas his final recollections are of 1918. This sends us on a enjoyable tour of ’80s Washington DC as they examine the reason for his return.

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Steve Trevor adapts to a brand new period.


Clay Enos/Warner Bros.

Gadot and Pine are as enjoyable to observe as ever on this colourful setting. They even handle to deliver Surprise Lady’s most ridiculous gadget into this cinematic universe convincingly, giving the film a heat emotional grounding as Lord goes on a wish-granting energy journey and occasions turn into more and more chaotic.

A bit of the film does not have main motion sequences, however the characters are all so partaking you will not get bored. And when the motion comes, it is a delight. Diana’s powers supply loads of visible selection, whereas composer Hans Zimmer makes use of her epic theme music to get your adrenaline pumping.

Surprisingly, the film does not faucet into many ’80s songs to set the scene, like 2019’s Captain Marvel did with its ’90s soundtrack, leaving Zimmer’s rating to do a lot of the heavy lifting. As a substitute, colourful outfits and places, massive hair and beige places of work deliver us into the period.

As partaking as most of this journey is, it does really feel just a little lengthy at 2 hours and 31 minutes. The situation of the finale can be just a little drab and darkish, contemplating all the colourful locations we go to beforehand. 

Surprise Lady 1984 works superbly as a followup to the superhero’s 2017 journey, increasing Diana’s character and leaning into the ’80s with type. It is simply probably the most emotionally partaking DC Prolonged Universe film, with eye-popping motion scenes, vivid settings and a optimistic message that is a breath of contemporary air. Jenkins’ subsequent cease may be a galaxy far, distant, however let’s hope she and Gadot reunite for an additional DC journey quickly.


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